MATEI VARGA

PIANIST

“IT IS HARD TO FIND THE RIGHT WORDS TO DESCRIBE THE BEAUTY OF HIS PLAYING…” - PAOLO ISOTTA





Matei Varga is the 2021 recipient of the Romanian - American Fine Arts Award, conferred by the Romanian government. His artistry has garnered superlative reviews from critics around the world, who have found his performances “magical” (Süddeutsche Zeitung), “colorful, vivacious [and] engaging” (Le Diapason). A top prizewinner at the “George Enescu”, “Maria Canals”, and "Cidade do Porto" international piano competitions, Mr. Varga has appeared as a soloist and recitalist in many of the world’s leading concert halls, among them Carnegie Hall and Alice Tully Hall in New York City, Konzerthaus Berlin, Palau de la Musica in Barcelona, the Romanian Atheneum in Bucharest, Victoria Hall in Geneva and the Auditorium du Louvre, Salle Cortot and Salle Gaveau in Paris. He was invited by Gian Carlo Menotti to appear at the “Festival dei Due Mondi” in Spoleto and was awarded the “Salon de Virtuosi” Career Grant in New York.

He has collaborated with conductors such as Otto-Werner Mueller, Elio Boncompagni, Christian Reif, Gabriel Bebeselea, and frequently accompanied the great Romanian soprano Mariana Nicolesco. Mr. Varga studied with Ana Pitis, Ioana Minei and Sandu Sandrin at the National University of Music in Bucharest, and with Pavlina Dokovska at Mannes College. He now lives in New York City and is Artistic Director of the Vendome Prize, a piano award described by Le Figaro as "the world's most prestigious competition" and currently presented by the College of Performing Arts at The New School.

Mr. Varga's discography includes releases for Naxos, Sono Luminus and Coviello Classics.

Matei Varga




PRESS

"With his infectious enthusiasm and seemingly effortless technique, Varga makes light work of soaring leaps, cascading runs at breakneck speed and delightful trills, all with precise attention to detail.”

Lisa MacKinney

Limelight

"[A] grand and wonderfully lugubrious new release from the young Romanian pianist Matei Varga... [Dumitrescu's] nine piano preludes recorded here are largely vivacious and full of dense keyboard intricacies that Varga exploits splendidly... Janácek’s swirling, Impressionist masterpiece...gets an appealingly fluid performance. The slow movement of Bach’s D-Minor Concerto...closes out the disc like a serene funeral benediction."

Joshua Kosman

San Francisco Chronicle

"The performances are exquisite... they show a fine sense of shaping a lyrical melodic line with perfect tonal control”

Rob Haskins

American Record Guide

"[an] excellent pianist”

Robert Gottlieb

The New York Observer

"[H]is every phrase conveyed intelligence and a burning sense of musical mission. . . . Mr. Varga played with consummate care and fidelity without ever sounding fussy or pedantic . . . listeners were rapt, utterly motionless and silent. . . . there was clearly an exceptional mind at work.”

Rorianne Schrade

New York Concert Review



"With his infectious enthusiasm and seemingly effortless technique, Varga makes light work of soaring leaps, cascading runs at breakneck speed and delightful trills, all with precise attention to detail.”

Lisa MacKinney

Limelight

"[A] grand and wonderfully lugubrious new release from the young Romanian pianist Matei Varga... [Dumitrescu's] nine piano preludes recorded here are largely vivacious and full of dense keyboard intricacies that Varga exploits splendidly... Janácek’s swirling, Impressionist masterpiece...gets an appealingly fluid performance. The slow movement of Bach’s D-Minor Concerto...closes out the disc like a serene funeral benediction."

Joshua Kosman

San Francisco Chronicle

"The performances are exquisite... they show a fine sense of shaping a lyrical melodic line with perfect tonal control”

Rob Haskins

American Record Guide

"[an] excellent pianist”

Robert Gottlieb

The New York Observer

"[H]is every phrase conveyed intelligence and a burning sense of musical mission. . . . Mr. Varga played with consummate care and fidelity without ever sounding fussy or pedantic . . . listeners were rapt, utterly motionless and silent. . . . there was clearly an exceptional mind at work.”

Rorianne Schrade

New York Concert Review

SUGGESTED PROGRAMS



The year 2020 was complicated indeed. Many suffered from isolation and the inability to socialize but I found that staying home, with my piano, offered me a better view towards my inner self and a chance to experience the joy of a new discovery. That was for me the Cuban master Ernesto Lecuona. … I decided to bring forward some of my favorite pieces from Lecuona’s catalogue, intertwined with other short works by well-established composers such as Scarlatti, Chopin, Balakirev and Gershwin—all of them masters of the miniature genre and proud exponents of their own national style.

Ernesto Lecuona (1895 - 1963)

Andalucía (from Suite Española)

Frederic Chopin (1810 - 1849)


Trois Ecossaises, Op. 72 No. 3

George Gershwin (1898 - 1937)

I Got Rhythm

Ludwig van Beethoven (1770 - 1827)

Bagatelle in A minor (WoO 59) Für Elise

Ernesto Lecuona (1895 - 1963)

XIXth Century Cuban Dances (selections)
La Cardenense
Arabesque
La Mulata
Al Fin Te Vi
Minstrels

Frederic Chopin (1810 - 1849)

Impromptu No. 3, Op. 51 in G-flat major

Ernesto Lecuona (1895 - 1963)

Zambra Gitana, from “La tierra de Venus” (transcribed and arranged by Thomas Y. Tirino)

Domenico Scarlatti (1685 - 1757)

Keyboard Sonata K 380, in E major
Keyboard Sonata K 135, In E major

Andrei Tudor (b. 1983)

Rondo alla Crazy

Mily Balakirev (1837 - 1910)

Spanish Melody

Frederic Chopin (1810 - 1849)

Fantaisie-Impromptu Op. 66 in C-sharp minor

Ernesto Lecuona (1895 - 1963)

Danza Lucumi, from “Danzas Afro-Cubanas”

Frederic Chopin (1810 - 1849)

Etude Op. 10, No. 12 in C minor (The Revolutionary)

George Gershwin (1898 - 1937)

The Man I Love

Frederic Chopin (1810 - 1849)

Impromptu No. 1, Op. 29 in A-flat major

Ernesto Lecuona (1895 - 1963)

Yo te quiero siempre, canción (transcribed and arranged by Thomas Y. Tirino)
Vals Azul, from “Lola Cruz” (transcribed and arranged by Matt Van Brink)


Duration: approx. 60 minutes, with no intermission
leidenschaftlich (adj.): passionate, ardent
cantabile (adj.): melodious, imitating the human voice

3 composers who changed the history of classical music
2 of the greatest works in piano literature
1 major & minor key

Wolfgang Amadeus Mozart (1756-1791)

Piano Sonata in C major, K 279 / 189 d (1774)

Allegro
Andante
Allegro

Robert Schumann (1810-1856)

Fantasie in C major, Op. 17 (1836)

Durchaus fantastisch und leidenschaftlich vorzutragen
Mäßig. Durchaus energisch
Langsam getragen


****************************

Wolfgang Amadeus Mozart (1756-1791)

Piano Sonata in C minor, K 457 (1784)

Molto Allegro
Adagio
Allegro assai

Ludwig van Beethoven (1770-1827)

Piano Sonata No. 32 in C minor, Op. 111 (1821-22)

Maestoso – Allegro con brio ed appassionato
Arietta: Adagio molto semplice e cantabile
Duration: approx. 90 minutes, plus one intermission

Haydn

Concerto for piano and orchestra in D major

Mozart

Concerto for piano and orchestra K 466 in D minor

Beethoven

Concerto for piano and orchestra no. 1, op. 15 in C major
Concerto for piano and orchestra no. 4, op. 58 in G major

Chopin

Concerto for piano and orchestra no. 1, op. 11 in E minor
Concerto for piano and orchestra no. 2, op. 21 in F minor

Schumann

Concerto for piano and orchestra op.54 in A minor

Liszt

Concerto for piano and orchestra no. 1 in E flat major

Brahms

Concerto for piano and orchestra no. 1 in D minor

Tchaikovsky

Concerto for piano and orchestra no. 1 in B flat minor

Bartok

Concerto for piano and orchestra no. 3 in E major, Sz. 119

Lipatti

Three Romanian Dances for piano and orchestra

Hersch

Piano Concerto no. 2 „Along the Ravines”

Watch Matei Varga on YouTube







Follow Matei on: